ByMuseum

USD
  • USD
  • EUR
Painting
The Haywain Triptych
Triptych · Chapter 2 of 2

The Haywain Triptych

c. 1512-1515 · Oil on oak panel · Museo del Prado, Madrid, Spain

The Haywain Triptych
Year
c. 1512-1515
Medium
Oil on oak panel
Dimensions
135 x 200 cm (central panel)
Location
Museo del Prado, Madrid, Spain
Movement
Early Netherlandish
Series
Triptych
In this article
Presumed portrait of Hieronymus Bosch, chalk drawing in the Recueil d’ArrasExplore the artist · presumed likenessHieronymus Bosch →

The world is a haystack

An old Flemish saying held that the world is a haystack, and everyone takes what they can grab from it. Hay stood for worthless earthly goods. Hieronymus Bosch turned that idea into a large triptych, painted around 1512 to 1515, according to the Prado.

The painting belongs to the Museo del Prado in Madrid. Like The Garden of Earthly Delights, it reads from left to right: Paradise, the world, then Hell.

A huge cart of hay

Lovers making music on top of the hay between an angel and a devil
Lovers ignore the angel and the devil.

At the centre, a towering cart of hay rolls forward. On top, a group of lovers sits on the hay, playing music and singing, between an angel praying at the left and a blue devil playing a pipe at the right. They notice neither.

Christ showing his wounds in golden clouds
Nobody looks up at Christ.

Above, in the clouds, Christ appears with his wounds, raising his hands. Nobody in the scene below looks up at him.

OWN IT.
The Haywain Triptych hand-painted oil reproduction
The Haywain Triptych, painted by hand
Hieronymus Bosch · oil on canvas, made to order
$1,499.00
Own this masterpiece See sizes and frames
Painted by hand in oil Free shipping worldwide 90-day money-back guarantee
Real paintings, real brushworkSee what arrives at your doorBrowse all samples

Everyone grabs a handful

People fighting and climbing ladders around the cart wheels
Everyone grabs a handful.

Around the cart, people from every class fight to grab hay. Some climb ladders, others are crushed under the wheels. Behind the cart ride a pope, an emperor and other rulers, following it calmly.

The cart is pulled not by horses but by strange hybrid creatures, half human and half animal. They are heading to the right, towards Hell.

From the Fall to damnation

Rebel angels falling, Adam and Eve and their expulsion from Paradise
From the fall of the angels to the expulsion.

The left wing tells the story of the Fall: rebel angels falling from heaven like insects, the creation of Eve, the temptation, and the expulsion of Adam and Eve from Paradise.

Demons building a tower and dragging sinners in a fiery Hell
Hell is still under construction.

The right wing shows Hell. Demons are building a tower, perhaps to hold more souls, while others drag sinners in. Smoke and fire rise in the background. The sequence makes the message plain: greed leads straight from the world into damnation.

Signed by Bosch

Gothic signature Jheronimus bosch at the bottom of the panel
Bosch’s signature.

Near the bottom of the central panel, Bosch signed his name, “Jheronimus bosch,” in Gothic letters. He took his name from his home town, ’s-Hertogenbosch, in the Netherlands.

When the wings are closed, the outside shows a pedlar walking along a dangerous road. That image is often read as a picture of human life as a journey full of temptations.

The wagon of hay

In the centre panel, a huge wagon of hay is pulled by strange hybrid demons towards hell. People of all classes fight to grab handfuls of hay. Some climb ladders, some fall under the wheels, some kill each other. Behind the wagon ride the pope, the emperor and other powerful figures, following calmly. On top of the hay, lovers sit absorbed in music, while an angel prays and a demon plays a pipe.

A sermon about greed

The message is clear: everyone, rich and poor, clergy and laity, is driven by greed for worthless things. The pursuit of worldly goods leads directly to damnation. Christ appears in the clouds above, watching with open arms, ignored by almost everyone. Bosch’s painting is a visual sermon, comparable to the preaching of his time.

From paradise to hell

The left wing shows the creation of Eve, the Fall and the expulsion from Eden, along with the fall of the rebel angels. The right wing shows hell, where demons build a tower and sinners are punished. The triptych reads from left to right as the story of sin, from its origin to its consequences.

The wayfarer on the outside

When the wings are closed, they show a weary traveller walking along a dangerous road, surrounded by signs of violence and folly. He is often interpreted as a symbol of the Christian on life’s journey, who must find his way through a sinful world.

Where to see it

The Haywain Triptych hangs in the Museo del Prado in Madrid. Like The Garden of Earthly Delights, it was acquired by King Philip II. Our hand-painted oil reproduction follows this composition. You can also read about Bosch’s Garden of Earthly Delights.

Questions about The Haywain Triptych

What does the hay mean?

Hay symbolises worthless earthly goods, after a Flemish proverb: the world is a haystack, and everyone grabs what they can.

Where is the original?

Museo del Prado, Madrid.

What is on the outside?

A wandering pedlar on a dangerous road.

When was it painted?

Around 1512 to 1515, according to the Prado.

What does the hay symbolise?

Worthless earthly goods that people greedily grab.

What is shown on the outer wings?

A wayfarer walking through a dangerous world, often read as the Christian on life’s journey.

Sources and image credit

Public-domain reproduction of The Haywain Triptych (about 1512 to 1515), via Wikimedia Commons. Detail images are crops of the same historical painting; no reconstruction or upscaling.

Bosch's crowded moral scenes were a model for Bruegel's Netherlandish Proverbs.

OWN IT.
The Haywain Triptych hand-painted oil reproduction
Make The Haywain Triptych yours
Hieronymus Bosch · oil on canvas, made to order
$1,499.00
Bring it home See sizes and frames
Painted by hand in oil Free shipping worldwide 90-day money-back guarantee
Real paintings, real brushworkSee what arrives at your doorBrowse all samples
ByMuseum Editorial
Art history desk · ByMuseum

Written and fact-checked by the ByMuseum editorial team: art historians and painters who research each work from museum records and catalogues raisonnés, then explain how it is recreated by hand in oil on canvas.

Enjoyed this story?

Man Writing a Letter by Gabriel Metsu, about 1664

Man Writing a Letter
Gabriel Metsu, c. 1664

The gallery list

Your first painting,
$15 off.

Every painting is already 50% off. Join the list and we will send you an extra $15 code, plus first access to new collections.

✓

Welcome

Check your inbox.

Your $15 code is on its way. Explore the gallery while you wait.