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Painting
Reply of the Zaporozhian Cossacks
Ilya Repin · Russian Realism

Reply of the Zaporozhian Cossacks

1880–1891 · Oil on canvas · State Russian Museum, Saint Petersburg

Reply of the Zaporozhian Cossacks
Year
1880–1891
Medium
Oil on canvas
Dimensions
203 × 358 cm
Location
State Russian Museum, Saint Petersburg
Movement
Russian Realism
In this article
Ilya Repin in his 1887 self-portraitExplore the artistIlya Repin →

A letter full of insults

According to a seventeenth-century legend, the Ottoman Sultan demanded that the Zaporozhian Cossacks submit to him. The Cossacks replied with a letter full of mockery and crude insults. Ilya Repin painted the moment they compose it, gathered around a table and roaring with laughter.

Repin worked on the painting from 1880 to 1891. It is a huge canvas, about two by three and a half metres, and belongs to the State Russian Museum in Saint Petersburg.

The scribe at the centre

Grinning scribe writing with a quill beside a bald Cossack
The scribe takes down the insults.

At the table, a scribe with a quill grins as he writes down the words being shouted at him. Around him, faces lean in to add their own insults. A bald Cossack with a long topknot, seen from behind, sits close beside him.

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Reply of the Zaporozhian Cossacks hand-painted oil reproduction
Reply of the Zaporozhian Cossacks, painted by hand
Ilya Repin · oil on canvas, made to order
$1,399.00
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Every kind of laughter

Cossack in red holding his belly with laughter beside a man with a pipe
Every kind of laughter.

At the right, a large Cossack in a red coat holds his belly as he laughs, while the white-moustached ataman with a pipe beside him smirks. Repin wanted to show every kind of laughter, from quiet amusement to wild roaring.

Bare-backed Cossack leaning over the table
A bare back in warm light.

In the foreground, a bare-backed Cossack leans over the table, his muscular shoulders painted in warm light. Repin studied the faces carefully, using friends, scholars and local people as models.

A figure turned away

Tall Cossack in a white coat seen from behind
A figure turned away frames the group.

At the far right, a tall Cossack in a white coat stands with his back to us. He frames the group and gives the crowded scene depth. Behind him, spears and banners rise above the camp.

Eleven years of research

Repin travelled to Ukraine to study costumes, weapons and faces, and collected objects for accuracy. While working on the main painting, he also began a second version, now in the Kharkiv Art Museum. The Russian Museum’s canvas was bought by Tsar Alexander III.

Questions about Reply of the Zaporozhian Cossacks

What story does it show?

The legendary insulting reply of the Zaporozhian Cossacks to the Ottoman Sultan.

Where is the original?

State Russian Museum, Saint Petersburg.

How long did it take?

Repin worked on it from 1880 to 1891.

How large is it?

About 203 × 358 centimetres, oil on canvas.

Sources and image credit

Public-domain reproduction of Reply of the Zaporozhian Cossacks (1880 to 1891). Detail images are crops of the same historical painting; no reconstruction or upscaling.

Repin's darkest painting tells a very different Russian story: Ivan the Terrible and His Son Ivan. Matejko painted his country's history with the same epic weight in Stańczyk.

OWN IT.
Reply of the Zaporozhian Cossacks hand-painted oil reproduction
Make Reply of the Zaporozhian Cossacks yours
Ilya Repin · oil on canvas, made to order
$1,399.00
Bring it home See sizes and frames
Painted by hand in oil Free shipping worldwide 90-day money-back guarantee
Real paintings, real brushworkSee what arrives at your doorBrowse all samples
ByMuseum Editorial
Art history desk · ByMuseum

Written and fact-checked by the ByMuseum editorial team: art historians and painters who research each work from museum records and catalogues raisonnés, then explain how it is recreated by hand in oil on canvas.

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Man Writing a Letter by Gabriel Metsu, about 1664

Man Writing a Letter
Gabriel Metsu, c. 1664

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