Vitruvian Man
c. 1490 · Pen and ink on paper · Gallerie dell Accademia, Venice, Italy
- Artist
- Leonardo da Vinci
- Year
- c. 1490
- Medium
- Pen and ink on paper
- Dimensions
- 34.6 x 25.5 cm
- Location
- Gallerie dell Accademia, Venice, Italy
- Movement
- Renaissance
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A drawing about human proportion
The Vitruvian Man is a pen-and-ink drawing on paper, made by Leonardo around 1490. It shows a naked man in two overlapping positions, inscribed in both a circle and a square. It belongs to the Gallerie dell’Accademia in Venice, where it is rarely shown because light damages the paper.
Based on an ancient Roman architect
The drawing illustrates an idea from Vitruvius, a Roman architect of the first century BC. He wrote that a well-proportioned human body fits inside both a circle and a square. Many artists had tried to draw this; Leonardo solved it by moving the circle’s centre to the navel and the square’s centre lower down.
A serious, staring face

The man stares straight out with a frowning, intense expression, framed by curly hair. Some have suggested it could be a self-portrait of Leonardo, but there is no evidence for this.
Four arms and four legs

One pair of arms stretches straight out, touching the sides of the square. The other is raised, so the fingertips touch the circle.

Likewise, one pair of legs stands together inside the square, and the other is spread so the feet touch the circle. Small marks along the lines record measurements.
Notes in mirror writing
Above and below the figure, Leonardo wrote notes in his usual mirror script, from right to left. They paraphrase Vitruvius and list proportions: for example, that the length of the outspread arms equals a man’s height.
Questions about the Vitruvian Man
Is it a painting?
No. It is a pen-and-ink drawing on paper.
Where is it?
Gallerie dell’Accademia, Venice. It is rarely on display.
Who was Vitruvius?
A Roman architect whose writings on proportion inspired the drawing.
How large is it?
About 34.6 × 25.5 centimetres.
Sources and image credit
Public-domain reproduction of the Vitruvian Man (about 1490), via Wikimedia Commons. Detail images are crops of the same drawing; no reconstruction or upscaling.
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