ByMuseum

USD
  • USD
  • EUR
Painting #11 · Claude Monet · Impressionism

The Seine at Argenteuil

1873 · Oil on canvas · Musee d'Orsay, Paris, France

The Seine at Argenteuil
Year
1873
Medium
Oil on canvas
Dimensions
55.3 x 74.3 cm
Location
Musee d'Orsay, Paris, France
Movement
Impressionism
In this article
Claude Monet in Pierre-Auguste Renoir’s 1875 portrait, Musée d’OrsayExplore the artistClaude Monet →

A riverside town Monet called home

From 1871 to 1878, Claude Monet lived at Argenteuil, a small town on the Seine just north-west of Paris. The river, its boats and its promenades became his favourite subjects, and Argenteuil became a meeting place for the painters who would soon be called Impressionists.

In this view from 1873, a row of autumn poplars leads the eye along the bank towards the white houses and church spire of the town.

Trees in gold and brown

Autumn poplars leaning over the riverbank
Trees in gold and brown.

At the left, tall poplars in yellow and brown lean over the bank. Monet painted their thin trunks with quick vertical strokes and their leaves with loose dabs of warm colour.

OWN IT.
The Seine at Argenteuil hand-painted oil reproduction
The Seine at Argenteuil, painted by hand
Claude Monet · oil on canvas, made to order
$299.00$599.0050% off
Own this masterpiece See sizes and frames
Painted by hand in oil Free shipping worldwide 90-day money-back guarantee
Real paintings, real brushworkSee what arrives at your doorBrowse all samples

The town on the far bank

White houses and church spire on the far bank
The town on the far bank.

In the distance, white houses and a church spire catch the light along the horizon. They are suggested with only a few strokes, but they read clearly as a town.

Reflections in the river
Broken reflections.

Below, the trees and houses are reflected in the water in broken bands of colour, one of Monet’s favourite effects.

A wide, changing sky

Soft clouds in blue and white
A wide, changing sky.

More than half the canvas is sky, full of soft clouds painted in blue, white and pale violet. Monet wanted to catch the weather and light of a particular moment, not a fixed, finished view.

Argenteuil, cradle of Impressionism

When Monet moved to Argenteuil at the end of 1871, the town was changing fast. A railway line linked it to Paris in about fifteen minutes, and Parisians came on Sundays to sail, row and walk along the river. Factories stood beside old farmhouses, and new villas rose along the banks. For a painter interested in modern life, it was an ideal place.

Monet’s friends often joined him there. Renoir, Manet, Sisley and Caillebotte all painted at Argenteuil in the 1870s. Manet even painted Monet working in a little boat fitted out as a floating studio. The paintings they made together helped define the style that would be shown at the first Impressionist exhibition in 1874.

Monet painted the town more than any other place during these years, around 170 canvases in all. He showed the regatta basin, the bridges, his own garden, and quiet stretches of the river like this one.

The colours of autumn

The scene is set in autumn. The poplars have turned gold and brown, and their leaves glow against the blue water. Monet pairs warm and cool colours throughout: orange foliage against blue river, warm bank against pale sky. These contrasts make the light feel clear and fresh.

He did not mix his colours into smooth tones. He placed them side by side in separate touches, letting the viewer’s eye combine them. This method, already visible a few years earlier at La Grenouillère, is now fully developed.

Water that holds the picture together

The river runs diagonally across the picture, drawing the eye from the foreground towards the town. Its surface reflects the trees, the houses and the sky, broken into horizontal strokes. The reflections repeat the colours of the land, so the whole canvas is unified.

Monet loved painting water because it never stays still. Each ripple catches a different colour, and the surface changes with every breath of wind. On the Seine at Argenteuil he found endless variations of this effect.

A calm view of a busy town

There is no factory chimney, no crowd and no train in this picture. Monet chose a quiet moment and a peaceful viewpoint. Yet the white houses and the church spire remind us that the town is close, and that this calm stretch of river was only a short walk from a lively suburb.

This balance of nature and modern life is typical of Monet’s Argenteuil years. He often framed industrial details with trees and water, softening them into part of the landscape.

Where to see it

The Seine at Argenteuil hangs in the Musée d’Orsay in Paris, which holds one of the richest collections of Monet’s work. Our hand-painted oil reproduction follows this composition. For more rivers, fields and open skies, explore our famous landscape paintings.

Questions about The Seine at Argenteuil

Where is Argenteuil?

A town on the Seine north-west of Paris, where Monet lived from 1871 to 1878.

When was it painted?

In 1873.

Why did Monet paint Argenteuil so often?

He lived there and found endless subjects in the river, boats and changing light.

What style is it?

Impressionism: quick strokes, broken colour and attention to light.

Why did Monet move to Argenteuil?

It was close to Paris by train, cheaper to live in, and offered the river, boats and countryside he wanted to paint.

Which other painters worked there?

Renoir, Manet, Sisley and Caillebotte all painted at Argenteuil in the 1870s.

How many paintings did Monet make at Argenteuil?

Around 170 between 1871 and 1878.

Sources and image credit

Public-domain reproduction of The Seine at Argenteuil (1873), via Wikimedia Commons. Detail images are crops of the same image; no reconstruction or upscaling.

OWN IT.
The Seine at Argenteuil hand-painted oil reproduction
Make The Seine at Argenteuil yours
Claude Monet · oil on canvas, made to order
$299.00$599.0050% off
Bring it home See sizes and frames
Painted by hand in oil Free shipping worldwide 90-day money-back guarantee
Real paintings, real brushworkSee what arrives at your doorBrowse all samples
ByMuseum Editorial
Art history desk · ByMuseum

Written and fact-checked by the ByMuseum editorial team: art historians and painters who research each work from museum records and catalogues raisonnés, then explain how it is recreated by hand in oil on canvas.

Enjoyed this story?

Man Writing a Letter by Gabriel Metsu, about 1664

Man Writing a Letter
Gabriel Metsu, c. 1664

The gallery list

Your first painting,
$15 off.

Every painting is already 50% off. Join the list and we will send you an extra $15 code, plus first access to new collections.

✓

Welcome

Check your inbox.

Your $15 code is on its way. Explore the gallery while you wait.