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Art Guides · Renaissance

The 10 Most Famous Renaissance Paintings

Mona Lisa by Leonardo da Vinci, hand-painted oil reproduction

Two hundred years of Renaissance painting gave us thousands of masterpieces, but a handful are the ones the whole world keeps looking up. This guide explores ten famous Renaissance paintings, selected using October 2026 search estimates and our catalogue, from a smile in Paris to a mirror in London, and for each one we tell you what you are looking at, why it matters and where to see it.

Four of them are by one man. Start with the top three, or read the whole list below.

1. Mona Lisa by Leonardo da Vinci

Leonardo da Vinci, about 1503 to 1519, oil on poplar panel, 79.4 x 53.4 cm, Musée du Louvre, Paris

Artist profile: Leonardo da VinciExplore the artistLeonardo da Vinci →
Mona Lisa by Leonardo da Vinci, a woman with folded hands and a faint smile in front of a misty landscape
Leonardo never delivered it. He kept working on it for the rest of his life.

She is a Florentine silk merchant's wife, Lisa Gherardini, and the portrait was a commission Leonardo never handed over. He carried it with him to Milan, Rome and finally France, adding thin glazes for some sixteen years. That is where the softness comes from: no hard outlines anywhere, just shadow melting into shadow, so the corners of her mouth seem to move as you look.

For three centuries it was simply a fine painting in the French royal collection. Then, in August 1911, Vincenzo Peruggia, an Italian glazier who had worked at the Louvre, walked out with it under his smock. The theft drew international attention. When it returned in 1913, its fame had expanded far beyond the museum.

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Mona Lisa by Leonardo da Vinci hand-painted oil reproduction

Mona Lisa by Leonardo da Vinci, painted by hand

Leonardo da Vinci · oil on canvas, made to order

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2. The Last Supper by Leonardo da Vinci

Leonardo da Vinci, about 1494 to 1498, tempera and oil on a prepared dry wall, 460 x 880 cm, Santa Maria delle Grazie, Milan

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The Last Supper by Leonardo da Vinci, Christ seated at the centre of a long table with the twelve apostles reacting in groups of three
The moment just after Christ says that one of them will betray him.

Leonardo painted it on the wall of a monastery dining room, so the monks ate their meals beneath it. He chose the second after Christ says "one of you will betray me", and every apostle reacts at once: arms thrown up, faces turned, questions on every lip. Judas is the only one leaning back into shadow, clutching his money bag.

The trouble is the paint. Fresco requires painting into wet plaster. Leonardo instead used a dry-wall technique that allowed slower adjustments and layers of colour. It began flaking within his lifetime. Monks later cut a door through Christ's feet, and in 1943 a bomb destroyed the room around it. The sandbagged wall survived, and a twenty-year restoration finished in 1999.

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The Last Supper by Leonardo da Vinci hand-painted oil reproduction

The Last Supper by Leonardo da Vinci, painted by hand

Leonardo da Vinci · oil on canvas, made to order

$1,099.00
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3. The Creation of Adam by Michelangelo

Michelangelo, about 1511, fresco (ceiling painted 1508 to 1512), Sistine Chapel ceiling, Vatican City

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The Creation of Adam by Michelangelo, God reaching out from a cloud of angels toward Adam reclining on the earth, their fingers almost touching
The gap between two fingers is the most reproduced detail in Western art.

Michelangelo did not want the job. He was a sculptor, he told the Pope, not a painter. He spent four years on scaffolding sixty feet up, painting more than three hundred figures across the Sistine Chapel ceiling, and wrote a bitter little poem about the paint dripping onto his face.

This is the scene everyone knows. Adam lies on the bare earth, already perfect but not yet alive. God rushes toward him wrapped in a red cloak full of angels, and the spark is about to jump the gap. In 1990 a doctor pointed out that the cloak is shaped almost exactly like a human brain, a theory that still divides historians and delights everyone else.

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The Creation of Adam by Michelangelo hand-painted oil reproduction

The Creation of Adam by Michelangelo, painted by hand

Michelangelo · oil on canvas, made to order

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4. The Garden of Earthly Delights by Hieronymus Bosch

Hieronymus Bosch, about 1490 to 1500, oil on oak panels, 205 x 384 cm, Museo del Prado, Madrid

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The Garden of Earthly Delights by Hieronymus Bosch, a triptych with Eden on the left, a crowded garden of naked figures in the centre and a dark hell on the right
Paradise on the left, pleasure in the middle, punishment on the right.

While Italy was painting saints and philosophers, a Dutchman in the small town of 's-Hertogenbosch painted this. Read it left to right: God introduces Adam to Eve in a calm Eden, then a vast garden fills with hundreds of naked people riding birds, eating giant strawberries and climbing into shells, and finally everything turns to ice, fire and musical instruments used as torture.

Nobody knows exactly what Bosch meant, and that is half the fun. Its tiny scenes reward prolonged looking. One damned soul in the hell panel has a line of music painted on his backside; in 2014 a student transcribed it and recorded it, and the "butt song" from five hundred years ago went viral.

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The Garden of Earthly Delights by Hieronymus Bosch hand-painted oil reproduction

The Garden of Earthly Delights by Hieronymus Bosch, painted by hand

Hieronymus Bosch · oil on canvas, made to order

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5. The School of Athens by Raphael

Raphael, 1509 to 1511, fresco, Stanza della Segnatura, Apostolic Palace, Vatican City

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The School of Athens by Raphael, Plato and Aristotle walking at the centre of a vast arched hall surrounded by philosophers
Plato points up to ideas; Aristotle holds his hand flat over the world.

Raphael was twenty-six when the Pope gave him the walls of his private library, and he filled one of them with every great thinker of the ancient world, gathered under one roof. At the centre walk the two who argued most: Plato, pointing to heaven, and his student Aristotle, palm turned down to the earth.

Raphael borrowed faces from his own time. Plato looks like the old Leonardo da Vinci. The brooding man on the steps, writing alone, was added late and looks like Michelangelo, who was painting the Sistine ceiling a few rooms away. And near the right edge one young man in a dark cap looks straight out at us. That is Raphael himself.

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The School of Athens by Raphael hand-painted oil reproduction

The School of Athens by Raphael, painted by hand

Raphael Sanzio · oil on canvas, made to order

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6. The Birth of Venus by Sandro Botticelli

Sandro Botticelli, about 1484 to 1486, tempera on canvas, 172.5 x 278.5 cm, Uffizi Gallery, Florence

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The Birth of Venus by Botticelli, Venus standing on a scallop shell at sea, blown ashore by the winds while a nymph waits with a flowered cloak
The wind gods blow her ashore; a nymph runs to cover her.

Botticelli gives an ancient goddess the scale and presence of a major Florentine painting. Venus stands on a scallop shell as the winds carry her toward shore. It was one of the first great paintings on canvas in Florence, and it still has the cool, pale light of tempera, made with egg.

Look closely and the anatomy is impossible: her neck is too long, her left shoulder drops at an angle no body could hold, and she could never stand on that shell. Botticelli did not care. He wanted grace, not accuracy, and the result is the face that launched a thousand perfume adverts.

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The Birth of Venus by Botticelli hand-painted oil reproduction

The Birth of Venus by Botticelli, painted by hand

Sandro Botticelli · oil on canvas, made to order

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7. Salvator Mundi, attributed to Leonardo da Vinci

Attributed to Leonardo da Vinci, about 1500, oil on walnut panel, 65.7 x 45.7 cm, private collection

Artist profile: Leonardo da VinciExplore the artistLeonardo da Vinci →
Salvator Mundi, Christ in a blue robe raising his right hand in blessing and holding a clear crystal orb
Christ as Saviour of the World, holding a crystal orb.

It is the only painting on this list that most people know for its price. In 1958 it sold at auction for £45 as the work of a follower. Cleaned and restored, it reappeared in 2011 as a lost Leonardo, and in November 2017 it sold at Christie's for $450.3 million, the most ever paid for a painting.

Then it vanished. It has not been shown in public since, and experts still argue about how much of it Leonardo actually painted. Even the orb raises questions. Its transparency has prompted different interpretations of the object’s material and Leonardo’s handling of light; it is not a simple test that settles the attribution.

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Salvator Mundi by Leonardo da Vinci hand-painted oil reproduction

Salvator Mundi by Leonardo da Vinci, painted by hand

Leonardo da Vinci · oil on canvas, made to order

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8. The Last Judgment by Michelangelo

Michelangelo, 1536 to 1541, fresco, 1370 x 1200 cm, altar wall of the Sistine Chapel, Vatican City

Artist profile: MichelangeloExplore the artistMichelangelo →
The Last Judgment by Michelangelo, Christ raising his arm at the centre of a swirl of saints, the saved rising and the damned falling
The saved rise on the left, the damned fall on the right.

Twenty-five years after the ceiling, Michelangelo came back to the Sistine Chapel, now in his sixties, and covered the whole altar wall with the end of the world. A muscular Christ raises his arm and the bodies around him start to move, the saved pulled up into the sky, the damned dragged down to the boat of Charon.

According to the biographer Giorgio Vasari, Michelangelo gave the figure of Minos the likeness of Biagio da Cesena, a court official who criticised the nudity. The story is an anecdote about the fresco’s reception, rather than proof of the artist’s intentions. And Saint Bartholomew holds up his own flayed skin, which carries a sagging portrait of Michelangelo himself. After his death the nudes were covered with painted cloth, and the painter who did it was nicknamed "the breeches maker".

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The Last Judgement hand-painted oil reproduction

The Last Judgement, painted by hand

Michelangelo · oil on canvas, made to order

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9. Lady with an Ermine by Leonardo da Vinci

Leonardo da Vinci, about 1489 to 1491, oil on walnut panel, 53.4 x 39.3 cm, Czartoryski Museum, Kraków

Artist profile: Leonardo da VinciExplore the artistLeonardo da Vinci →
Lady with an Ermine by Leonardo da Vinci, a young woman turning to her left and holding a white ermine in her arms
Cecilia Gallerani, sixteen, turns as if someone has just called her name.

Another Leonardo portrait on this list shows how he could make a sitter seem caught in a living moment. The sitter is Cecilia Gallerani, a gifted sixteen-year-old at the court of Milan and the companion of its ruler, Ludovico Sforza. Instead of posing her stiffly in profile, as many formal portraits did, Leonardo turned her body one way and her head the other, as if she has just heard someone come in.

The animal is a riddle. The Greek word for ermine sounds like her surname, and Ludovico himself was nicknamed the White Ermine, so the creature in her arms is both her and him. During the Second World War the painting was looted by the Nazis and ended up in the residence of the governor of occupied Poland, and it came home to Kraków in 1946.

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Lady with an Ermine by Leonardo da Vinci hand-painted oil reproduction

Lady with an Ermine by Leonardo da Vinci, painted by hand

Leonardo da Vinci · oil on canvas, made to order

$299.00$599.0050% off
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10. The Arnolfini Portrait by Jan van Eyck

Jan van Eyck, 1434, oil on oak panel, 82.2 x 60 cm, National Gallery, London

Artist profile: Jan van EyckExplore the artistJan van Eyck →
The Arnolfini Portrait by Jan van Eyck, a man and a woman in a green dress holding hands in a room with a round mirror on the back wall
Look at the mirror: two more people stand in the doorway.

The oldest painting on the list comes from Bruges, not Italy, and it shows what the Northern Renaissance could do with oil paint. An Italian merchant and a woman in a green dress stand hand in hand in a richly furnished domestic room. Every surface is real enough to touch: the fur, the brass chandelier, the oranges on the windowsill, the little dog.

Then look at the round mirror on the back wall. It reflects the whole room from behind, including two tiny figures standing in the doorway where we are. Above it, in elegant script, the painter signed the wall itself: "Jan van Eyck was here, 1434". Whether we are watching a wedding, a memorial or simply a rich man showing off is still debated.

Read the full story of The Arnolfini Portrait

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The Arnolfini Portrait by Jan van Eyck hand-painted oil reproduction

The Arnolfini Portrait by Jan van Eyck, painted by hand

Jan Van Eyck · oil on canvas, made to order

$299.00$599.0050% off
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The School of Athens by RaphaelNext: the paintersThe 10 Most Famous Renaissance ArtistsWho were the people behind these paintings? Leonardo, Michelangelo, Raphael and seven more, ranked by how many people search for them.Meet the artists ›

Questions people ask

What is the most famous Renaissance painting?

The Mona Lisa is among the most widely recognised Renaissance paintings. Leonardo’s The Last Supper and Michelangelo’s The Creation of Adam are also defining works.

What makes a painting Renaissance?

Renaissance painters rediscovered the art of ancient Greece and Rome and studied the real world closely. Look for linear perspective that makes walls and floors recede, bodies with real weight and anatomy, soft light and shadow, and classical myths painted alongside Bible stories.

Who are the three great masters of the High Renaissance?

Leonardo da Vinci, Michelangelo and Raphael. They worked at the same time, knew each other's work, and between them painted seven of the ten pictures on this list.

When was the Renaissance?

Roughly from the early 1400s to the late 1500s. It began in Florence, spread to Rome and Venice, and had its own northern version in the Netherlands and Germany, where painters like Jan van Eyck and Hieronymus Bosch worked.

Can I see these paintings in person?

Nine of the ten, yes: in Paris, Milan, the Vatican, Madrid, Florence, Kraków and London. Salvator Mundi is in a private collection and has not been shown since 2017. All ten are available from us as hand-painted oil reproductions.

Enjoyed this story?

Sources

  • Musée du Louvre, Santa Maria delle Grazie, the Vatican Museums, Museo del Prado, the Uffizi Gallery, the Czartoryski Museum and the National Gallery, London: collection records for the paintings above.
  • Giorgio Vasari, Lives of the Most Excellent Painters, Sculptors and Architects (1550 and 1568).
  • Frank Lynn Meshberger, "An Interpretation of Michelangelo's Creation of Adam Based on Neuroanatomy", JAMA, 1990.
  • Christie's, Post-War and Contemporary Art Evening Sale, New York, 15 November 2017 (Salvator Mundi).
  • The full stories, with their sources, are linked under each painting where we have written them.

Ranking follows monthly US Google search volume for each painting's name (OpenSEO, October 2026). The School of Athens has no published figure, so it is placed by its Wikipedia readership. Lady with an Ermine and The Arnolfini Portrait are tied. We do not publish the figures.

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Man Writing a Letter by Gabriel Metsu, about 1664

Man Writing a Letter
Gabriel Metsu, c. 1664

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