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Art Guides · Baroque

The 10 Most Famous Baroque Paintings

Girl with a Pearl Earring by Johannes Vermeer, hand-painted oil reproduction

Baroque painting was made to grab you. In seventeenth-century Europe, painters threw a spotlight into the dark, froze bodies in the middle of a fight, a fall or a sudden thought, and painted ordinary people so real you could touch them. This guide explores ten famous Baroque paintings, selected using October 2026 search estimates and our catalogue, from a girl in a blue turban to a goldfinch on its perch, and for each one we tell you what you are looking at and the story behind it.

Rembrandt has three of them. Start with the top three, or read the whole list below.

1. Girl with a Pearl Earring by Johannes Vermeer

Johannes Vermeer, about 1665, oil on canvas, 44.5 x 39 cm, Mauritshuis, The Hague

Artist profile: Johannes VermeerExplore the artistJohannes Vermeer →
Girl with a Pearl Earring by Johannes Vermeer, a young woman in a blue and yellow turban turning over her shoulder towards the viewer, a large pearl hanging from her ear against a dark background
She turns, her lips part, and the pearl catches the light. Nobody knows who she was.

She is a tronie, rather than a commissioned portrait of an identified sitter. In Vermeer's time a tronie was a study of a face, an expression or an exotic costume; a real model could still have posed for it. Her blue turban was painted with ultramarine, made from ground lapis lazuli and more expensive than gold. The famous pearl is just two strokes of paint, a soft grey shape and one bright highlight, and it is probably far too big to be real: it may have been polished glass or tin.

The background was not always black. A study by the Mauritshuis in 2018 found it was once a deep green curtain that has faded, and that she has fine eyelashes, invisible to the naked eye. For two centuries she was almost forgotten. In 1881 a collector bought her at auction in The Hague for two guilders and thirty cents, and left her to the museum. A novel by Tracy Chevalier and a film with Scarlett Johansson later made her a star.

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Girl with a Pearl Earring by Vermeer hand-painted oil reproduction

Girl with a Pearl Earring by Vermeer, painted by hand

Johannes Vermeer · oil on canvas, made to order

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2. Las Meninas by Diego Velázquez

Diego Velázquez, 1656, oil on canvas, 318 x 276 cm, Museo del Prado, Madrid

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Las Meninas by Diego Velazquez, the little Spanish princess in a white dress surrounded by her maids of honour, two dwarfs and a dog, with Velazquez at a huge canvas on the left and a mirror on the back wall
The little princess, her maids, a dwarf nudging the dog, the painter at work, and the king and queen in the mirror.

In a big room of the royal palace in Madrid, five-year-old Princess Margarita has just arrived, surrounded by her maids of honour, the meninas of the title. One kneels to offer her a drink. On the right stand two dwarfs of the court, one gently kicking the sleeping mastiff. On the left, Velázquez himself looks out from behind an enormous canvas, brush in hand.

But who is he painting? In the mirror on the back wall are King Philip IV and Queen Mariana. One influential reading places them near the viewer’s position, although what the mirror reflects remains part of the painting’s puzzle. It is a puzzle about looking and being looked at that painters have never stopped arguing over. Picasso painted 58 variations of it in 1957. The red cross on Velázquez's chest is the badge of the Order of Santiago, which he received three years after finishing the picture; it was added later, and legend says the king painted it himself.

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3. The Night Watch by Rembrandt

Rembrandt van Rijn, 1642, oil on canvas, 379.5 x 453.5 cm, Rijksmuseum, Amsterdam

Artist profile: RembrandtExplore the artistRembrandt →
The Night Watch by Rembrandt, a crowd of Amsterdam militiamen with muskets, pikes and a drum marching out of a dark archway, led by a captain in black and a lieutenant in gold
Captain Banninck Cocq gives the order to march. The girl lit up in gold behind him carries a dead chicken on her belt.

It is not a night scene. The painting shows the Amsterdam civic guard company of Captain Frans Banninck Cocq setting off in broad daylight. Over the centuries the varnish turned so dark that by the end of the eighteenth century people were calling it The Night Watch, and the name stuck. Instead of lining the men up in neat rows like every other group portrait of the time, Rembrandt painted a moment of movement: a musket going off, a dog barking, a drummer beating, flags going up.

Look for the small girl lit up in gold. On her belt hangs a dead chicken with big claws, the emblem of the company. In 1715 the canvas was moved to Amsterdam's town hall and cut down on all four sides to fit between two doors, and the strips were lost. It has survived three attacks, with a knife in 1975 and acid in 1990. Since 2019 it has been restored in a glass room in front of visitors, and the missing edges have been recreated with the help of artificial intelligence.

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4. Judith Slaying Holofernes by Artemisia Gentileschi

Artemisia Gentileschi, about 1620, oil on canvas, 146.5 x 108 cm, Uffizi Galleries, Florence (version shown)

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Judith Slaying Holofernes by Artemisia Gentileschi, two women holding down a man on a bed while one of them cuts off his head with a sword, blood running onto the sheets
No hesitation: one woman pins him down while the other cuts.

In the Old Testament, the widow Judith saves her town from the Assyrian army by getting into the tent of its general, Holofernes, waiting until he is drunk, and cutting off his head. Painters had shown the scene for centuries, usually with Judith looking graceful and a little reluctant. Caravaggio's famous version of about 1599, which people search for under the title Judith Beheading Holofernes, has her holding the sword at arm's length, as if disgusted.

Artemisia's Judith is not reluctant. She and her maid work together like butchers, leaning in with their full weight while Holofernes fights back and blood runs down the sheets. Artemisia made an earlier version around the time of the 1612 trial of Agostino Tassi, who had raped her when she was seventeen. The Florence painting shown here dates to about 1620. During the trial she was subjected to torture with cords around her fingers to test her testimony. Many people see her anger in this picture. Others warn against reading her whole career through one crime. Either way, it is one of the most powerful paintings of the century.

OWN IT.Judith Slaying Holofernes, painted by hand $299.00
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Judith Slaying Holofernes hand-painted oil reproduction

Judith Slaying Holofernes, painted by hand

Artemisia Gentileschi · oil on canvas, made to order

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5. The Calling of Saint Matthew by Caravaggio

Caravaggio, 1599 to 1600, oil on canvas, 322 x 340 cm, Contarelli Chapel, San Luigi dei Francesi, Rome

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The Calling of Saint Matthew by Caravaggio, Christ pointing from the shadows at a group of men counting money at a table, lit by a beam of light from a high window
A beam of light, a pointing hand, and a tax collector who cannot believe he is the one.

Matthew was a tax collector. Caravaggio puts him in a dim Roman room with a few friends in fashionable clothes, counting coins at a table. Then Christ walks in from the right, half hidden behind Saint Peter, and points. A beam of light cuts across the wall above them, following the line of his arm. Christ's hand is borrowed from Michelangelo's Creation of Adam, the hand that gives life.

It was Caravaggio's first public commission, and it made him famous overnight. Ever since, people have argued about which one is Matthew: the bearded man pointing at himself as if to say "me?", or the young man at the end of the table, still hunched over the money. The painting still hangs in the chapel it was made for, in the French church in Rome, and visitors drop a coin into a machine to switch on the light.

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The Calling of Saint Matthew by Caravaggio, painted by hand

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6. The Milkmaid by Johannes Vermeer

Johannes Vermeer, about 1658, oil on canvas, 45.5 x 41 cm, Rijksmuseum, Amsterdam

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The Milkmaid by Johannes Vermeer, a kitchen maid in a yellow bodice and blue apron pouring a thin stream of milk from a jug into a bowl beside a basket of bread, lit by a window
A thin stream of milk, crusty bread and the light from a window. Nothing happens, and you cannot look away.

A kitchen maid pours milk into an earthenware bowl, slowly, with total concentration. That is all. Yet everything in the room glows: the crust of the bread is built up with tiny dots of light, the brass pail shines on the wall, and the blue of her apron, ultramarine again, is almost electric next to the yellow of her bodice.

Vermeer worked hard to make it look simple. Technical research has revealed a jug holder on the wall and a large fire basket at the lower right, both later painted over. Removing them gave the maid a quieter setting against the bare plaster. On the floor is a foot warmer, and the little tiles behind it show Cupid, a hint, perhaps, that the maid's thoughts are elsewhere. The Rijksmuseum bought the painting in 1908 after a national campaign to keep it in the Netherlands.

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The Milkmaid by Vermeer hand-painted oil reproduction

The Milkmaid by Vermeer, painted by hand

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7. David with the Head of Goliath by Caravaggio

Caravaggio, 1606 to 1607 or 1609 to 1610 (date debated), oil on canvas, 125 x 101 cm, Galleria Borghese, Rome

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David with the Head of Goliath by Caravaggio, a young shepherd boy holding out the bleeding severed head of the giant Goliath by the hair, with a sword in his other hand, against a dark background
The head of Goliath is Caravaggio's own face.

David should look triumphant. Instead he holds the giant's head at arm's length and looks at it with something like pity. The head, mouth open, one eye still half alive, is a self-portrait of Caravaggio himself, worn out and aged far beyond his late thirties.

In 1606 Caravaggio had killed a man, Ranuccio Tomassoni, in a fight in Rome, and was sentenced to death. He fled to Naples, Malta and Sicily. One influential interpretation sees the painting as a gift intended for Cardinal Scipione Borghese, the pope’s nephew, to help secure a pardon. Its exact date and circumstances remain debated. On the sword some read the letters of a Latin motto meaning humility kills pride. In 1610, on his way back towards Rome to receive the pardon, Caravaggio died at Porto Ercole, aged 38.

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OWN IT.David with the Head of Goliath, painted by hand $299.00
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David with the Head of Goliath hand-painted oil reproduction

David with the Head of Goliath, painted by hand

Caravaggio · oil on canvas, made to order

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8. The Anatomy Lesson of Dr. Nicolaes Tulp by Rembrandt

Rembrandt van Rijn, 1632, oil on canvas, 169.5 x 216.5 cm, Mauritshuis, The Hague

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The Anatomy Lesson of Dr Nicolaes Tulp by Rembrandt, a doctor in a black hat dissecting the arm of a corpse while seven men in black with white ruffs lean in to watch
Dr. Tulp opens the forearm and shows how the fingers move. The men around him paid to be in the picture.

Once a year, the Amsterdam surgeons' guild held a public dissection, and people bought tickets to watch. In January 1632 the body was that of Aris Kindt, an executed offender, and the lecturer was Dr. Nicolaes Tulp. The surgeons who appear in the picture paid to be included, and the names are written on the sheet of paper one of them holds.

Rembrandt was only 25 and new in Amsterdam, and this was his first big commission there. Instead of a stiff row of heads he painted a lesson in progress: Tulp lifting the muscles of the forearm with his forceps and, with his own left hand, showing how they bend the fingers. Some of the men look at the arm, some at the open anatomy book at the corpse's feet, one straight at us. It made Rembrandt the most wanted portrait painter in the city.

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OWN IT.The Anatomy Lesson of Dr. Nicolaes Tulp by Rembrandt, painted by hand $299.00
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The Anatomy Lesson of Dr. Nicolaes Tulp by Rembrandt hand-painted oil reproduction

The Anatomy Lesson of Dr. Nicolaes Tulp by Rembrandt, painted by hand

Rembrandt · oil on canvas, made to order

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9. The Storm on the Sea of Galilee by Rembrandt

Rembrandt van Rijn, 1633, oil on canvas, 160 x 128 cm. Stolen from the Isabella Stewart Gardner Museum, Boston, in 1990

Artist profile: RembrandtExplore the artistRembrandt →
The Storm on the Sea of Galilee by Rembrandt, a small fishing boat tossed on a huge wave in a storm, its sail torn, with Christ and the disciples struggling on board
Fourteen people in the boat: Christ, his twelve disciples, and Rembrandt himself.

A huge wave lifts the bow of a fishing boat towards the black clouds; the sail is torn, men haul on ropes, one is sick over the side. At the back, in the calm half of the picture, the disciples wake Jesus, who will soon calm the sea. It is Rembrandt's only seascape. Count the people on board and you get fourteen, one too many: the man in the middle holding his cap and looking straight at us is Rembrandt himself.

No one has seen the original since 18 March 1990. That night two men dressed as police officers talked their way into the Isabella Stewart Gardner Museum in Boston, tied up the guards and stole thirteen works, including this painting, which was cut from its frame. It remains one of the largest art thefts in history. The empty frame still hangs on the wall, as a reminder of the missing painting.

OWN IT.Christ in the Storm on the Sea of Galilee, painted by hand $299.00
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Christ in the Storm on the Sea of Galilee hand-painted oil reproduction

Christ in the Storm on the Sea of Galilee, painted by hand

Rembrandt · oil on canvas, made to order

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10. The Goldfinch by Carel Fabritius

Carel Fabritius, 1654, oil on panel, 33.5 x 22.8 cm, Mauritshuis, The Hague

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The Goldfinch by Carel Fabritius, a small goldfinch sitting on its wooden feeding box fixed to a pale plaster wall, held by a thin chain on its leg
Life size, on a plain wall, with a thin chain on its leg.

A small goldfinch sits on its feeding box on a pale wall, a fine chain around its ankle. Goldfinches were popular pets in Holland, trained to pull up tiny buckets of water. Fabritius painted it life size with quick, confident strokes, and it may once have been part of a cabinet door or a frame, meant to fool the eye into thinking a real bird was there.

He signed and dated it 1654. A few months later, on 12 October, a gunpowder store exploded in the centre of Delft and flattened a large part of the town, including Fabritius's studio. He was buried in the rubble and died that day, aged 32. Only about a dozen of his paintings survive. A pupil of Rembrandt, he may have taught or inspired Vermeer, and in 2013 Donna Tartt's Pulitzer-winning novel The Goldfinch made his little bird famous all over again.

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OWN IT.The Goldfinch by Carel Fabritius, painted by hand $299.00
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The Goldfinch by Carel Fabritius hand-painted oil reproduction

The Goldfinch by Carel Fabritius, painted by hand

Carel Fabritius · oil on canvas, made to order

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Questions people ask

What is the most famous Baroque painting?

Vermeer's Girl with a Pearl Earring, followed by Velázquez's Las Meninas and Rembrandt's The Night Watch.

What is Baroque painting?

The style that dominated European art in the seventeenth century, roughly from 1600 to 1720. It is dramatic, emotional and real: strong contrasts of light and dark, movement caught at its peak, and ordinary people painted with total honesty. It began in Rome with Caravaggio and spread to Spain, Flanders and the Dutch Republic.

What is chiaroscuro?

The Italian word for light-dark: modelling forms with strong contrasts of light and shadow. Caravaggio pushed it so far that his figures seem to emerge from black, a manner called tenebrism.

Is Vermeer a Baroque painter?

Yes. Vermeer and Rembrandt belong to the Dutch Golden Age, the Dutch branch of the Baroque, which focused on everyday life, portraits and landscapes rather than grand religious scenes.

Who were the main Baroque painters?

Caravaggio, Rembrandt, Vermeer, Rubens, Velázquez and Artemisia Gentileschi are the best known. You can meet them in our ten famous Baroque artists.

Where can I see these paintings?

In The Hague at the Mauritshuis, in Amsterdam at the Rijksmuseum, in Madrid at the Prado, in Rome at San Luigi dei Francesi and the Galleria Borghese, and in Naples and Florence. The Storm on the Sea of Galilee is still missing. All ten are available from us as hand-painted oil reproductions.

Enjoyed this story?

Sources

  • Mauritshuis, Rijksmuseum, Museo del Prado, Galleria Borghese, Gallerie degli Uffizi, Museo di Capodimonte and Isabella Stewart Gardner Museum: collection records for the paintings above.
  • Mauritshuis, Girl in the Spotlight research project, 2018.
  • Rijksmuseum, Operation Night Watch, 2019 onwards.
  • The full stories, with their sources, are linked under each painting where we have written them.

Ranking follows monthly US Google search volume for each painting's name (OpenSEO, October 2026). Google reports no figure for Girl with a Pearl Earring, which shares its name with a novel, a film and many products; we place it first as the most widely recognised Baroque painting. Searches for Judith Beheading Holofernes include both Caravaggio's and Artemisia Gentileschi's versions; we show hers. Ties are broken with clickstream data. We do not publish the figures.

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Man Writing a Letter by Gabriel Metsu, about 1664

Man Writing a Letter
Gabriel Metsu, c. 1664

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