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Art Guides · Impressionism

The 10 Most Famous Impressionist Paintings

Green lily pads and pink flowers float across blue and violet water reflecting trees in Claude Monet’s Water Lilies of 1906.
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Famous Impressionist paintings make modern life and changing light worth sustained attention. This guide brings together ten influential works, from Monet’s water garden and Le Havre harbour to Renoir’s boating party and Caillebotte’s rainy Paris street.

The selection also includes Manet, a close colleague whose work helped prepare the way for Impressionism, although he never joined its eight group exhibitions. Each entry links to a full painting story with detail crops and museum references.

1. Water Lilies by Claude Monet

Claude Monet, Water Lilies, 1906, oil on canvas, 89.9 × 94.1 cm, Art Institute of Chicago

Artist profile: Claude MonetExplore the artistClaude Monet →
Water Lilies by Claude Monet, 1906, pink flowers and green pads on reflected blue-violet water
The 1906 Chicago canvas. The related blue reproduction below depicts another composition, signed 1905.

Monet’s Water Lilies names a series rather than one canvas. The painting shown here is the nearly square 1906 work in the Art Institute of Chicago. Flowers and lily pads hold the water’s surface in view, while reflections of trees suggest another space beneath it.

There is no distant shore or strip of sky. The scene continues beyond the edges, and the eye moves between recognisable plants and visible paint. Our full article examines this exact canvas with four detail crops and distinguishes it from the later Orangerie decorations. The related reproduction below shows a different blue Water Lilies composition signed 1905.

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Water Lilies blue hand-painted oil reproduction

Water Lilies blue, painted by hand

Claude Monet · oil on canvas, made to order

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2. Impression, Sunrise by Claude Monet

Claude Monet, 1872, oil on canvas, 50 x 65 cm, Musée Marmottan Monet, Paris

Artist profile: Claude MonetExplore the artistClaude Monet →
Impression, Sunrise by Claude Monet, an orange sun and its reflection over the misty harbour of Le Havre with small dark rowing boats
Le Havre harbour at dawn. The orange sun is barely brighter than the sky around it.

An orange sun and its broken reflection punctuate the cool haze of Le Havre harbour. Dark boats approach through water whose surface is described with short strokes; masts, cranes and chimneys dissolve into the distance. Monet painted the view from a hotel window around November 1872.

At the 1874 exhibition, its title helped give Impressionism its name through Louis Leroy’s satirical review and the wider critical debate. The full article also compares The Scarlet Sunset and Calais Sands by Turner with Jongkind’s Sunrise at Overschie, showing different ways of painting reflected light.

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Impression, Sunrise by Monet hand-painted oil reproduction

Impression, Sunrise by Monet, painted by hand

Claude Monet · oil on canvas, made to order

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3. Olympia by Édouard Manet

Édouard Manet, 1863, oil on canvas, 130.5 x 191 cm, Musée d'Orsay, Paris

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Olympia by Edouard Manet, a nude woman lying on a white bed and looking straight at the viewer while a maid brings her a bouquet and a black cat arches its back
She is not a goddess. She is looking at you, and she is not embarrassed.

A reclining woman looks directly outward while Laure, the standing woman beside her, holds a delivered bouquet. A black cat lifts its tail at the end of the bed. Manet draws on the reclining nude of older art while placing the encounter in a contemporary social world.

The painting’s Salon appearance in 1865 provoked controversy around both its modern courtesan and its abrupt light-dark contrasts. The full story distinguishes the models Victorine Meurent and Laure from their painted roles, and explores the gaze, hand, flowers and cat.

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Olympia hand-painted oil reproduction

Olympia, painted by hand

Edouard Manet · oil on canvas, made to order

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4. Luncheon of the Boating Party by Pierre-Auguste Renoir

Pierre-Auguste Renoir, 1880 to 1881, oil on canvas, 130.2 x 175.6 cm, The Phillips Collection, Washington

Artist profile: Pierre-Auguste RenoirExplore the artistPierre-Auguste Renoir →
Luncheon of the Boating Party by Pierre-Auguste Renoir, a group of friends eating and talking on a restaurant balcony with a striped awning above the river
A long lunch on the balcony of the Maison Fournaise, on the Seine at Chatou.

On a terrace at the Maison Fournaise in Chatou, people lean, converse and look in different directions around a table of glasses and fruit. Aline Charigot holds a small dog at the left; Gustave Caillebotte sits in a straw hat at the right.

Renoir makes sociability feel unforced through a carefully constructed arrangement. The painting is more than a record of everyone occupying the same place at a single instant. Our full article follows the sitters, still life and revisions that help create its apparent ease.

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Luncheon of the Boating Party by Renoir hand-painted oil reproduction

Luncheon of the Boating Party by Renoir, painted by hand

Pierre Auguste Renoir · oil on canvas, made to order

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5. Woman with a Parasol by Claude Monet

Claude Monet, 1875, oil on canvas, 100 x 81 cm, National Gallery of Art, Washington

Artist profile: Claude MonetExplore the artistClaude Monet →
Woman with a Parasol by Claude Monet, a woman in a white dress holding a green parasol on a windy hill with a small boy behind her
Camille Monet and their son Jean on a hill at Argenteuil, seen from below against the sky.

Camille Monet and her son Jean stand on a grassy rise beneath an open sky. A low viewpoint gives the woman’s dress and tilted green parasol unusual prominence. Jean’s partly hidden body establishes the slope’s depth.

White fabric divides into blue, violet and cream strokes, while the veil and clouds convey the impression of wind. The full story looks closely at these colour relationships without inventing the family’s thoughts or a hidden biographical narrative.

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Woman with a Parasol by Monet hand-painted oil reproduction

Woman with a Parasol by Monet, painted by hand

Claude Monet · oil on canvas, made to order

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6. Bridge over a Pond of Water Lilies by Claude Monet

Claude Monet, Water Lilies and Japanese Bridge, 1899, oil on canvas, 90.5 x 89.7 cm, Princeton University Art Museum (version shown)

Artist profile: Claude MonetExplore the artistClaude Monet →
Water Lilies and Japanese Bridge by Claude Monet, a green arched wooden footbridge over a pond covered in water lilies with willows behind
The Japanese footbridge at Giverny, 1899. The bridge’s curve gives the eye a framework above leaves and reflected foliage.

A green bridge arches above a pond filled with water lilies and reflected foliage. Its railings provide a stable framework, while the water makes depth harder to settle. Monet developed this cultivated setting in his garden at Giverny.

This is Princeton’s nearly square 1899 Water Lilies and Japanese Bridge. Related bridge canvases in other museums are different works. Our full article identifies the Princeton painting and explores its railings, flowers and shifting reflections through three detail crops.

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Water Lilies and Japanese Bridge hand-painted oil reproduction

Water Lilies and Japanese Bridge, painted by hand

Claude Monet · oil on canvas, made to order

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7. Haystacks by Claude Monet

Claude Monet, Haystacks, End of Summer, 1891, oil on canvas, 60.5 × 100.8 cm, Musée d'Orsay, Paris

Artist profile: Claude MonetExplore the artistClaude Monet →
Haystacks, End of Summer by Claude Monet, two large wheat stacks in a field at Giverny in warm late summer light
Two stacks of wheat in a field next to his house, in the heat of late summer.

Two harvested grainstacks give Monet stable forms through which to explore changing light. Warm and cool strokes turn their surfaces, while blue-violet shadows spread over the field. The familiar English title Haystacks should not obscure their agricultural function.

The particular canvas shown here is the Musée d’Orsay’s Haystacks, End of Summer, dated 1891. Other grainstack paintings belong to different collections. The full story explains the series through the larger stack, smaller stack and coloured ground of this exact composition.

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OWN IT.Haystacks, End of Summer, painted by hand $299.00
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Haystacks, End of Summer hand-painted oil reproduction

Haystacks, End of Summer, painted by hand

Claude Monet · oil on canvas, made to order

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8. Luncheon on the Grass by Édouard Manet

Édouard Manet, Le Déjeuner sur l'herbe, 1863, oil on canvas, 207 × 265 cm, Musée d'Orsay, Paris

Artist profile: Édouard ManetExplore the artistÉdouard Manet →
Luncheon on the Grass by Edouard Manet, a nude woman picnicking in a wood with two clothed men while a second woman bathes in a stream behind them
Two men in modern suits, a picnic, and a woman who has taken her clothes off and is looking at you.

Two clothed men sit beside a nude woman who looks outward, while another woman bends near the water. Fruit, a tipped basket and discarded fabric make the foreground tangible. The group’s relation to older art remains visible, but its modern setting withholds an easy mythological explanation.

Rejected by the Salon and shown at the Salon des Refusés in 1863, Manet’s canvas unsettled expectations of subject, finish and pictorial space. The full article examines those tensions and distinguishes this work from Monet’s later painting with a related title.

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The Luncheon on the Grass hand-painted oil reproduction

The Luncheon on the Grass, painted by hand

Edouard Manet · oil on canvas, made to order

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9. A Bar at the Folies-Bergère by Édouard Manet

Édouard Manet, 1882, oil on canvas, 96 x 130 cm, The Courtauld, London

Artist profile: Édouard ManetExplore the artistÉdouard Manet →
A Bar at the Folies-Bergere by Edouard Manet, a barmaid standing behind a marble counter with bottles and oranges while a mirror behind her reflects the crowded music hall
The barmaid looks straight at you. The mirror behind her tells a different story.

Suzon stands behind a counter of bottles, flowers and oranges. Behind her, a mirror reflects a crowded entertainment hall and a man in a top hat. Her reflected back is displaced to the right, making a straightforward account of the viewer’s position difficult.

Manet constructed the composition with studio sittings as well as knowledge of the venue. The full article explores the mirror, the woman’s working space and the cropped trapeze performer without claiming that one disputed explanation settles every inconsistency.

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A Bar At The Folies Bergere hand-painted oil reproduction

A Bar At The Folies Bergere, painted by hand

Edouard Manet · oil on canvas, made to order

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10. Paris Street; Rainy Day by Gustave Caillebotte

Gustave Caillebotte, 1877, oil on canvas, 212.2 x 276.2 cm, Art Institute of Chicago

Artist profile: Gustave CaillebotteExplore the artistGustave Caillebotte →
Paris Street Rainy Day by Gustave Caillebotte, a couple under an umbrella walking on wet cobblestones at a wide Paris crossroads with a lamppost in the centre
A wet afternoon at a crossroads near the Gare Saint-Lazare, in the brand-new Paris.

A couple approaches beneath an umbrella while another passer-by enters from the edge. Wet paving stones spread across a wide junction near the Gare Saint-Lazare. A green lamppost and strongly receding streets organise the rebuilt city around its separate pedestrians.

Caillebotte showed the canvas at the third Impressionist exhibition in 1877. Its controlled perspective demonstrates how varied the group’s painting could be. The full story examines its photographic effect, preparatory planning and the uncertain social connections of a shared public space.

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Paris Street, A Rainy Day hand-painted oil reproduction

Paris Street, A Rainy Day, painted by hand

Gustave Caillebotte · oil on canvas, made to order

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Questions people ask

What is the most famous Impressionist painting?

Monet’s Water Lilies and Impression, Sunrise are among the best-known examples. Fame has no single objective ranking; this guide selects ten influential works and explains the specific painting shown in each entry.

Why is it called Impressionism?

Because of Monet's Impression, Sunrise. When the group showed it in 1874, the critic Louis Leroy called them "Impressionists" to mock them, and the name stuck.

What makes a painting Impressionist?

Common interests include changing light, visible brushwork, landscape and modern life. The artists differed in their use of colour, finish and perspective, and their work could combine observation outdoors with revision in the studio.

Was Manet an Impressionist?

Not officially. He never showed at their eight exhibitions, but he was their hero and friend, and his bold modern subjects opened the way for them, which is why three of his paintings are on this list.

Who were the main Impressionist painters?

Monet, Renoir, Degas, Pissarro, Sisley, Morisot, Cassatt and Caillebotte, with Manet beside them. You can meet them all in our ten famous Impressionist artists.

Where can I see these paintings?

The selected canvases belong to the Art Institute of Chicago, Musée Marmottan Monet, Musée d’Orsay, The Phillips Collection, National Gallery of Art, Princeton University Art Museum and The Courtauld. Use the linked museum records for current display information.

Enjoyed this story?

Sources

  • Musée d'Orsay, Musée Marmottan Monet, National Gallery of Art, The Phillips Collection, Princeton University Art Museum, The Courtauld and the Art Institute of Chicago: collection records for the paintings above.
  • Louis Leroy, "L'Exposition des impressionnistes", Le Charivari, 25 April 1874.
  • Charles S. Moffett and others, The New Painting: Impressionism 1874 to 1886 (1986).
  • Sotheby's, Impressionist and Modern Art Evening Sale, New York, 14 May 2019 (Meules).
  • Full painting stories with detail crops and primary collection references are linked beneath all ten entries.

This is an editorial selection, ordered for reading rather than presented as a verified measurement of search demand. Dates, dimensions and collections refer to the particular canvases pictured.

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Man Writing a Letter by Gabriel Metsu, about 1664

Man Writing a Letter
Gabriel Metsu, c. 1664

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