The Building of the Trojan Horse
Explore Domenico Tiepolo’s Building of the Trojan Horse: workmen, a painter, scaffolding and the difference between London’s sketch and the later…
The meaning and history of famous paintings: what they show, where the originals hang, and how each one is recreated by hand in oil on canvas.
Explore Domenico Tiepolo’s Building of the Trojan Horse: workmen, a painter, scaffolding and the difference between London’s sketch and the later…
A labourer holds his sick child in a dark cottage while the other children play: Luke Fildes’s Widower of 1876.
The world is a haystack and everyone grabs what they can: Bosch’s triptych of greed, from the Fall to a Hell still under construction.
The dying Robin Hood draws his bow to shoot one last arrow through the window: N. C. Wyeth’s 1917 illustration.
The Trojans haul the great wooden horse into their own city: Giovanni Domenico Tiepolo’s lively oil sketch of about 1760.
Paradise, a garden of pleasures and a musical Hell: Bosch’s triptych read panel by panel, from Adam and Eve to the tree-man.
Explore N. C. Wyeth’s Blind Pew: the searching hand, complete figure, stick, fallen hat and the Treasure Island episode behind the 1911 painting.
Explore Bogdanov-Belsky’s Sunday Reading: the reader, open book, listening villagers and child holding a page in the Russian Museum painting.
A collie rests its head on its master’s coffin in Landseer’s The Old Shepherd’s Chief Mourner, painted in 1837 and praised by Ruskin.
A soldier of the Black Brunswickers says goodbye to his love before Waterloo while she tries to hold the door shut: Millais, 1860.
Solve the problem in Bogdanov-Belsky’s Mental Arithmetic and explore the pupils, Rachinsky’s school and the thinking boy in his 1895 painting.
A serious bloodhound and a cheeky little terrier share a kennel in Landseer’s Dignity and Impudence, painted in 1839.
A hound lifts its head beside a fallen knight and horse. Landseer turns the still battlefield into a scene of canine loyalty and grief.
In The Magic Circle, Waterhouse portrayed a sorceress in the act of tracing a protective or conjuring circle on the ground, surrounded by the…
Explore Ciseri’s Transport of Christ to the Sepulchre: the hanging arm, strained shroud, bearers and mourners in the Madonna del Sasso painting.
A ragged village boy stands in the doorway of a rural school, looking in at the lesson he cannot join. Painted in 1897.
A twelve-point stag on a misty Highland hillside: Landseer’s 1851 icon of Scotland, saved for the National Galleries of Scotland in 2017.
The sorceress Medea walks through a marble palace with a small vase of poison, troubled rather than raging, in De Morgan’s 1889 painting.









