Saturn Devouring His Son by Goya
Saturn Devouring His Son shows the old god crouched in darkness, eyes wide with terror, tearing at the headless body of one of his children. Goya…
The meaning and history of famous paintings: what they show, where the originals hang, and how each one is recreated by hand in oil on canvas.
Saturn Devouring His Son shows the old god crouched in darkness, eyes wide with terror, tearing at the headless body of one of his children. Goya…
The Third of May 1808 shows French soldiers executing Madrid's rebels by lantern light on the hill of Príncipe Pío, the night after the Dos de…
Napoleon Crossing the Alps shows Bonaparte, First Consul of France, calm on a rearing horse as he points his army up the Great St Bernard Pass in…
Landscape with the Fall of Icarus shows a ploughman, a shepherd and a ship going about their business on a bright coast while Icarus, who has just…
Liberty Leading the People shows the allegorical figure of Liberty, in a red Phrygian cap and carrying the tricolour, leading a crowd of Parisians…
The Raft of the Medusa shows the survivors of the 1816 wreck of the French frigate Méduse, adrift for thirteen days, at the moment they sight a…
Wanderer above the Sea of Fog shows a lone man in a dark coat standing on a rocky summit with his back to us, looking out over a valley filled…
A little girl tries to teach a patient bloodhound to read: Briton Rivière’s gentle joke about compulsory schooling.
A flock of geese crowds in alarm at a small dark object: Rivière’s gently comic An Anxious Moment, 1878.
Two dogs try to wake their old master, slumped in his chair by the hearth: Rivière’s The Long Sleep, 1868.
Apollo plays his lyre while lions, leopards and goats lie calmly around him: Rivière’s Apollo, 1895.
A knight raises his sword hilt like a cross as he rides into a dark forest: Rivière’s In Manus Tuas, Domine, 1879.
A great lion stoops to drink at a mountain stream: Rivière’s The King Drinks, 1881.
A wounded bloodhound lies before a studded door amid the debris of a siege: Rivière’s Last of the Garrison, 1875.
From Homer’s Odyssey: Athena appears, unseen by people, and only the herdsman’s dogs sense the goddess and back away in fear.
Prometheus chained high on a cliff, the eagle waiting above: Rivière’s 1889 painting in the Ashmolean.
Una from Spenser’s Faerie Queene, guarded by a tamed lion as a lamb leaps beside her: Rivière, 1882.









