Liberty Leading the People by Eugène Delacroix
Liberty Leading the People shows the allegorical figure of Liberty, in a red Phrygian cap and carrying the tricolour, leading a crowd of Parisians…
The stories behind famous paintings, the painters who made them, and the movements that shaped them. Every work here can be recreated by hand in oil on canvas.
Liberty Leading the People shows the allegorical figure of Liberty, in a red Phrygian cap and carrying the tricolour, leading a crowd of Parisians…
The Raft of the Medusa shows the survivors of the 1816 wreck of the French frigate Méduse, adrift for thirteen days, at the moment they sight a…
Wanderer above the Sea of Fog shows a lone man in a dark coat standing on a rocky summit with his back to us, looking out over a valley filled…
A little girl tries to teach a patient bloodhound to read: Briton Rivière’s gentle joke about compulsory schooling.
A flock of geese crowds in alarm at a small dark object: Rivière’s gently comic An Anxious Moment, 1878.
Two dogs try to wake their old master, slumped in his chair by the hearth: Rivière’s The Long Sleep, 1868.
Apollo plays his lyre while lions, leopards and goats lie calmly around him: Rivière’s Apollo, 1895.
A knight raises his sword hilt like a cross as he rides into a dark forest: Rivière’s In Manus Tuas, Domine, 1879.
A great lion stoops to drink at a mountain stream: Rivière’s The King Drinks, 1881.
A wounded bloodhound lies before a studded door amid the debris of a siege: Rivière’s Last of the Garrison, 1875.
From Homer’s Odyssey: Athena appears, unseen by people, and only the herdsman’s dogs sense the goddess and back away in fear.
Prometheus chained high on a cliff, the eagle waiting above: Rivière’s 1889 painting in the Ashmolean.
Una from Spenser’s Faerie Queene, guarded by a tamed lion as a lamb leaps beside her: Rivière, 1882.
Christ sits alone and bowed in a vast desert at sunset: Rivière’s Temptation in the Wilderness, 1898.
After the fight: the dragon lies dead, and Saint George lies exhausted beside it. Rivière’s quiet reversal of a heroic legend.
Hector’s body lies abandoned on the shore as wolves approach: Rivière’s scene from Homer’s Iliad, 1892.
Daniel stands with bound hands, his back to a crowd of lions: the 1872 painting that made Rivière’s name.
At dawn Daniel answers the king from the lions’ den, unharmed, as the lions pace around him: Rivière, 1890.









