The Prophet Isaiah by Michelangelo Buonarroti
Isaiah turns as if suddenly called, a finger in his closed book: one of Michelangelo’s prophets on the Sistine ceiling.
The stories behind famous paintings, the painters who made them, and the movements that shaped them. Every work here can be recreated by hand in oil on canvas.
Isaiah turns as if suddenly called, a finger in his closed book: one of Michelangelo’s prophets on the Sistine ceiling.
God twists through space dividing light from darkness, framed by four nude youths: the first scene of Genesis on the Sistine ceiling.
Explore Michelangelo’s Deluge on the Sistine Chapel ceiling: families fleeing, fragile shelter, a carried body and Noah’s distant ark.
Michelangelo’s Sistine Chapel ceiling, painted for Pope Julius II from 1508 to 1512, seen through its scene of the Creation of the Sun, Moon and…
Explore Michelangelo’s Last Judgment in the Sistine Chapel: Christ, the flayed skin, rising souls, Dante’s Hell and the controversy over its nudes.
Look beyond Michelangelo’s famous hands to the reclining Adam, approaching Creator and suspended moment on the Sistine Chapel ceiling.
Explore Monet’s 1891 Haystacks, End of Summer at the Musée d’Orsay: grainstacks, coloured shadows and the changing light of his series.
The west front of Rouen Cathedral dissolved into thick layers of sunlit paint: one of Monet’s more than thirty views of the same façade.
Explore Princeton’s 1899 Water Lilies and Japanese Bridge with detail crops, Giverny context and a guide to the pond’s shifting reflections.
Monet’s life-size attempt to paint figures outdoors in real sunlight, at Ville-d’Avray in 1866, refused by the Salon of 1867.
A bathing place on the Seine, its little island and floating café, painted by Monet beside Renoir in 1869 as Impressionism took shape.
Tall poplars and their reflections on the river Epte, from a series Monet painted from a boat in 1891, paying to keep the trees standing.
Autumn poplars lead along the Seine to the white houses of Argenteuil, where Monet lived from 1871 to 1878.
Monet’s winter scene near Étretat: one small magpie on a gate, long blue shadows and snow built from many different whites.
A close reading of Monet’s 1906 Water Lilies in Chicago, with detail crops of its flowers, reflections, brushwork and signature.
Mary lies on a bier in red, mourned by apostles and Mary Magdalene, under a vast red curtain: Caravaggio’s rejected altarpiece.
Nicodemus and John lower Christ’s heavy body towards us on a jutting stone slab, while three Marys grieve: Caravaggio’s Vatican altarpiece.
Explore Caravaggio’s Hermitage Lute Player: the singing face, both hands, Arcadelt score, violin, flowers and differences between versions.









