Girl with a Watering Can by Pierre-Auguste Renoir
A little girl in a blue dress holds a watering can and daisies on a garden path: Renoir’s much-loved painting of 1876.
The stories behind famous paintings, the painters who made them, and the movements that shaped them. Every work here can be recreated by hand in oil on canvas.
A little girl in a blue dress holds a watering can and daisies on a garden path: Renoir’s much-loved painting of 1876.
Explore Renoir’s The Swing: the watching child, woman’s glance, blue bows and dappled sunlight in his 1876 Impressionist garden scene.
Meet the people in Renoir’s Luncheon of the Boating Party and explore its setting, table, composition and revised details through real crops.
Three musicians in a quiet room, a brothel scene on the wall: Vermeer’s Concert, stolen from Boston in 1990 and never found.
A young woman opens a window with one hand and rests the other on a gilded pitcher, bathed in cool light: Vermeer at the Met.
A lady writes, her maid gazes out of the window and a crumpled letter lies on the floor: Vermeer’s late picture, stolen twice.
Seen through a dark doorway, a maid hands her mistress a letter: Vermeer’s late scene of love, music and a household interrupted.
A scholar pauses with his dividers and looks to the window: Vermeer’s 1669 picture of a mind at work, signed and dated on the wall.
Vermeer’s Delft seen across the harbour under a great sky: the Schiedam and Rotterdam Gates, a sunlit church tower and Proust’s yellow wall.
A scholar reaches for a celestial globe in the light of a window: Vermeer’s 1668 companion to The Geographer, now in the Louvre.
A kitchen maid pours milk in Vermeer’s quiet masterpiece of about 1660: sparkling bread, an ultramarine apron and a bare, light-filled wall.
Explore Vermeer’s Woman in Blue Reading a Letter: the unreadable message, two hands, lapis-lazuli blue and map in the Rijksmuseum painting.
Aristotle rests his hand on a bust of Homer, a gold chain across his chest: Rembrandt’s meditation on fame and wisdom, painted in 1653.
A couple joined by a tender gesture of the hands, painted in thick gold and red: Rembrandt’s late masterpiece that Van Gogh adored.
Rembrandt’s 1654 portrait of his friend Jan Six, painted with astonishingly free brushwork, still owned by the Six family in Amsterdam.
Rembrandt at about sixty, palette in hand, in front of two mysterious circles: one of his greatest late self-portraits, free to see at Kenwood.
A glowing hand writes on the wall as King Belshazzar turns in terror: Rembrandt’s dramatic feast in the National Gallery.
Dr Tulp demonstrates the muscles of a dead man’s arm to seven surgeons: the group portrait that made the young Rembrandt famous.









